Date of Birth |
|
| 1979 | Canberra |
Studio Practice |
|
| 2008- | Studio MG1 with Katheryn Leopoldseder, Abbotsford Convent, Melbourne |
| 05-08 | Studio Hacienda with Blanche Tilden, Abbotsford Melbourne |
Training |
|
| 2005 | Emerging Artist Mentorship with Blanche Tilden, Melbourne |
| 98-01 | Bachelor of Visual Arts – Gold and Silversmithing – First Class Honours School of Art, Australian National University, Canberra |
Grants and Awards |
|
| 2010 | Australia Council New Work Grant – Established Category |
| Copyright Agency Limited – Creative Industries’ Career Fund – Travel Grant | |
| 2008 | Victorian Premier’s Design Mark for General Assembly with Blanche Tilden |
| 2007 | Arts Victoria – Arts Development Creation Funding for Location Devices |
| 2006 | City of Melbourne Arts Grant for General Assembly with Blanche Tilden |
| 2005 | Australia Council Emerging Artist Mentorship Grant from CraftACT |
| Australia Council New Work Grant – Emerging Category | |
| 2003 | Graduate Residency Gold and Silversmithing Workshop, Canberra School of Art |
| 2001 | Canberra School of Art Alumni Award |
One and Two Person Exhibitions |
|
| 2009 | Location Devices solo exhibition, Metalab, Sydney |
| General Assembly Open Studio 09 Phoebe Porter and Blanche Tilden, State of Design Festival, Melbourne | |
| 2008 | Location Devices solo exhibition as part of the Melbourne Design Festival, e.g.etal, Melbourne |
| 2005 | General Assembly Open House 08 Phoebe Porter and Blanche Tilden, Canberra Glassworks |
| 2007 | General Assembly Canberra Phoebe Porter and Blanche Tilden, Workshop Bilk, Queanbeyan |
| 2006 | Est.2005 Phoebe Porter and Blanche Tilden, Craft ACT, Canberra |
| 2004 | Wings 2004 Phoebe Porter, in the series Elements of Canberra (Metal) CraftACT, Canberra |
Selected Group Exhibitions |
|
| 2012 | Industrious Former Industrial School, Abbotsford Convent, Melbourne |
| Designed 2 School of Art Gallery ANU School of Art, Canberra | |
| The Year Was 2006 Studio 20/17, Sydney | |
| 2011 | Tinker Tailor Soldier Sailor Artisan, Brisbane |
| Uncontained Craft ACT, Canberra | |
| The First Show Pin-up – Architecture & Design Project Space, Melbourne | |
| Contemporary Wearables 11 Toowoomba Regional Art Gallery, Toowoomba | |
| Winter Neckpieces Studio 20/17, Sydney | |
| For Your Ears Only oneofftwo Contemporary Jewellery, Nungurner, Victoria | |
| 2010 | By Example Museum of Arts and Crafts, Itami, Japan |
| Clean Lines Mercator Studios, as part of State of Design Festival, Melbourne | |
| National Contemporary Jewellery Award Griffith Regional Art Gallery, Griffith | |
| 2009 | Art Work School of Art Gallery ANU School of Art, Canberra |
| Contemporary Wearables Toowoomba Regional Art Gallery, Toowoomba | |
| Alumina graduates from gold and silversmithing, Foyer gallery, ANU School of Art, Canberra | |
| 2008 | Designersblock as part of the London Design Festival, represented by Fossick, London |
| In the Making member’s exhibition at Craft Victoria, Melbourne | |
| Convent Salon c3 Gallery, Abbotsford Convent, Melbourne | |
| National Contemporary Jewellery Award Griffith Regional Art Gallery, Griffith | |
| 2007 | Smart Works: Design and the Handmade Powerhouse Museum, Sydney |
| Moving Parts e.g.etal, as part of Pop-ups for Melbourne Design Festival, Melbourne | |
| Glass Jewellery 07 Workshop Bilk, Queanbeyan | |
| General Assembly as part of Solutions for Better Living curated by Kate Rhodes, Craft Victoria, Melbourne | |
| 50 Brooches Craft Queensland, Brisbane | |
| New Under the Sun: Australian Contemporary Design in Jewish Ceremony 3, Jewish Museum of Australia | |
| 2006 | Catch on SALA festival, Zu Design, Adelaide |
| 2005 | Workshopped 2005 Sydney Design Festival, Strand Arcade, Sydney |
| Candela ‘05 Metalab, Sydney and Workshop Bilk, Canberra | |
| Contemporary Wearables Toowoomba Regional Art Gallery, Toowoomba | |
| 2002 | Talente 2002 International Competition in Craft, Design and Technology, Munich,Germany |
| 2000 | 31@20 Graduates from Canberra School of Art Gold and Silversmithing Workshop Goldschmeidehaus, Hanau, toured to Taiwan, Perth and Canberra |
Public Collections |
|
| 2009 | Art Gallery of South Australia, Adelaide |
| Canberra Museum and Gallery, Canberra | |
| 2003 | Toowoomba Regional Art Gallery, Queensland |
Professional Experience |
|
| 2012 | Speaker “Craft and Design as a Career” Craft Victoria Professional Development Seminar, NGV International |
| 2009 | Lecturer terms 1and 3 Gold and Silversmithing Workshop School of Art, Australian National University |
| 06-09 | Communications coordinator part-time role at e.g.etal Contemporary Jewellery and Objects, Melbourne |
| 2008 | Advisor Craft Victoria exhibition selection panel |
| 2007 | Speaker Smart Works: Design and the Handmade Symposium “Industry as Inspiration: Making, Mentorship, Collaboration” Powerhouse Museum, Sydney |
| Speaker Art Forum “General Assembly” Canberra School of Art, Canberra | |
| Sessional teacher Product Design, NMIT, Melbourne | |
| 2006 | Mentor youth@craft.design “Creating and making a living in the Arts today” Online Forum, Craft Australia |
| Speaker Art Forum “Est.2005” Canberra School of Art, Canberra | |
| 03-05 | Project co-ordinator Thylacine Design and Project Management, Queanbeyan, NSW |
Selected Publications |
|
| 2010 | Audio Design Museum edited by Kate Rhodes and Viviane Stappmanns, Object and Alphabet Press |
| The Workbench Guide to Jewelry Techniques by Anastasia Young, Quarto Publishing, London | |
| 500 Judaica edited by Ray Hemachandra, Lark Books, New York | |
| 2009 | The Melbourne Design Guide edited by Viviane Stappmanns, Alphabet Press, Melbourne |
| 2008 | The Compendium Finale of Contemporary Jewellers edited by Any Lim, Darling Publications, Cologne and New York |
| 2007 | Smart Works: Design and the Handmade edited by Grace Cochrane, Powerhouse Publishing, Sydney |
Selected Press |
|
| 2012 | Surface Asia magazine Issue 8 “Heart and Craft “ by Kate Nicholson |
| How We Create “Phoebe Porter: Craft ‘n’ Culture” by Ben Morgan | |
| Habitus Living online “Phoebe Porter: Cultural Couture” by Ben Morgan |
|
| 2011 | AFR Magazine Life Leisure Luxury Issue 18 “Diamonds Are A Man’s Best Friend” by Francis Mocknik |
| 2009 | DQ magazine Issue 33 “Top Ten: Forces and Faces in Australian Design” by Alice Blackwood |
| Artichoke magazine Issue 26 “Studio Hacienda” by Melanie Joosten | |
| 2008 | Craft Culture Online Magazine “Four ways to go from A to B” Location Devices essay by Merryn Gates |
| M The Sunday Age 1 April “New and Proven” by Justine Costigan | |
| Craft Culture Online Magazine “General Assembly: A Review In Parts” by Merryn Gates | |
| 2007 | Times 2 The Canberra Times 1 Oct “General Assembly” review by Meredith Hinchliffe |
| Essential Style The Sydney Morning Herald 2 Aug “Victoria’s Secret” by Stephen Crafti | |
| Metro The Age 5 July “Open Sesame” by Clare Kermond |
|
| M The Sunday Age 1 April “Brooch the Subject” by Claire Halliday | |
| 2006 | Times 2 The Canberra Times 5 April “Designs on Jewellery” by Meredith Hinchliffe |
| Times 2 The Canberra Times 20 April “Est. 2005” review by Kerry-Anne Cousins | |
| 2005 | Artlook magazine Issue 16 “Illuminating Art” by Kathleen Fisher |
</tr>
<tr>
<td width=”40″ align=”left” valign=”top”>2009</td>
<td align=”left” valign=”top”>The Melbourne Design Guide, edited by Viviane Stappmanns, Alphabet Press, Melbourne</td>
<tr>
<td width=”40″ align=”left” valign=”top”>2009</td>
<td align=”left” valign=”top”>The Melbourne Design Guide, edited by Viviane Stappmanns, Alphabet Press, Melbourne</td>
